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Los Angeles Ballet: L.A. Ballet soloists show sense of purpose, if not peak skills, in season debut

February 25, 2008

Los Angeles Times

by Lewis Segal

The other plum role, of course, is the evil Madge. She is first discovered cowering by James’ fire but is last seen towering triumphantly above his body. Why did she wreck such evil, so out of proportion to the original offense? Her answer is a drumming of her fingers on her chest. “I,” “I,” “I,” she gestures, because James offended her.

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