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Los Angeles Ballet: L.A. Ballet soloists show sense of purpose, if not peak skills, in season debut
February 25, 2008
Los Angeles Times
by Lewis Segal
The other plum role, of course, is the evil Madge. She is first discovered cowering by James’ fire but is last seen towering triumphantly above his body. Why did she wreck such evil, so out of proportion to the original offense? Her answer is a drumming of her fingers on her chest. “I,” “I,” “I,” she gestures, because James offended her.
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