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  • Celebrating Season 10 | Los Angeles Ballet

    Los Angeles Ballet Celebrates The Great Romantics for its Tenth Season with Productions of Giselle, Don Quixote, The Nutcracker and Romeo and Juliet Home / News / New Item Celebrating Season 10 July 1, 2015 LAB Public Relations 2015-2016 Season Opens on October 3, 2015 Los Angeles, xx, 2015 - Los Angeles Ballet Co-Artistic Directors Thordal Christensen and Colleen Neary celebrate the Great Romantics for LAB’s tenth season. The 2015-2016 season includes four full-length story ballets - Giselle, Don Quixote, The Nutcracker and Romeo and Juliet. The season will include new productions of Don Quixote and Romeo and Juliet and the return of the company’s critically-acclaimed productions of Giselle and The Nutcracker. With the exception of Romeo and Juliet, all are choreographed by Artistic Directors Christensen and Neary. Christensen and Neary have chosen Frederick Ashton’s Romeo and Juliet, which will be a Los Angeles premiere. Continuing LAB’s mission to offer world-class professional ballet to greater Los Angeles, its programs are performed at LAB’s home theaters: UCLA’s Royce Hall, Glendale’s Alex Theatre, Valley Performing Arts Center in Northridge, Redondo Beach Performing Arts Center, and the Dolby Theatre in Hollywood. “As we embark upon our tenth season and to celebrate this milestone, we thought that this was the perfect time to share the Romantics with the city,” said Christensen, LAB’s co-artistic director. “Thanks to the support of our patrons, the company has seen thrilling growth over the last nine years. Our dancers have grown artistically and technically, and our audience has grown across the city,” said Neary, LAB’s co-artistic director. LAB opens the season with Giselle (October/November 2015). Premiered by Los Angeles Ballet in 2011, this ethereal and haunting masterwork is the embodiment of the Romantic ideal. The holidays welcome back LAB’s popular The Nutcracker set in 1913 Los Angeles (December 2015), with additional matinees offering more opportunities to see this family favorite and enjoy Tchaikovsky’s beloved music. Don Quixote, based on Cervantes' iconic Spanish novel and choreographed by Los Angeles Ballet's Christensen and Neary (after Petipa), weaves a splendid tapestry of love, illusion, daring and adventure. Gypsies, matadors, and windmills result in a profusion of excitement, humor, and family fun. To close the season, Los Angeles Ballet makes history as the first American company to present the great choreographer Frederick Ashton's Romeo and Juliet. "We are thrilled to be the first American company to perform this tremendous piece, a work of classical genius," says Christensen. Shakespeare's timeless tragedy of star-crossed lovers is unforgettably expressed in dance, drama, and Prokofiev's timeless score. About Los Angeles Ballet Founded in 2004 by Artistic Directors Thordal Christensen and Colleen Neary, and Executive Director Julie Whittaker, Los Angeles Ballet is known for its superb stagings of the Balanchine repertory, stylistically meticulous classical ballets, and its commitment to new works. LAB has become recognized as a world-class ballet company in nine seasons, presenting 28 productions encompassing 50 works, including 15 commissioned world premieres. Los Angeles Ballet ‘tours’ throughout LA County, regularly appearing at four venues. Since its inception in 2006, LAB’s Power of Performance (POP!) program has provided thousands of free tickets to underserved or disadvantaged children, seniors, veterans, and their families. LAB's A Chance to Dance Community Days outreach program was launched in October 2012. About Thordal Christensen Among Thordal Christensen’s many credentials are an impressive performing career, successful leadership of one of the world's major ballet companies, critically applauded original choreography, and a proven commitment to dance education. Born in Copenhagen, Denmark, Christensen received his ballet training at The Royal Danish Ballet School and at the School of American Ballet in New York City before a performance career that included the Royal Danish Ballet, New York City Ballet, and Pacific Northwest Ballet. Christensen then returned to Denmark where he was Artistic Director of the Royal Danish Ballet. This blend of Bournonville and Balanchine tradition is one of the defining themes of his career, and has shaped the unique artistic vision that Christensen, along with his wife Colleen Neary, bring to Los Angeles Ballet. In 2002, he was made Knight of the Dannebrog by Queen Margrethe II of Denmark. About Colleen Neary Colleen Neary brings to Los Angeles Ballet the benefits of her vast experience as one of George Balanchine's quintessential ballerinas. In her experience as a dancer, teacher, and ballet mistress, she also worked closely with other luminaries of 20th century dance, including Rudolf Nureyev, Maurice Béjart, and Jiří Kylián. Born in Miami, Florida and trained at The School of American Ballet, Neary danced in New York City Ballet under the direction of George Balanchine, then for Maurice Béjart's Ballet du XXième Siecle, and Pacific Northwest Ballet. Neary was personally selected by Balanchine to teach his choreography to major companies all over the world as a repetiteur for The George Balanchine Trust. DOWNLOAD PDF

  • Privacy Policy

    c6f506e5-8f47-45d1-a7f8-6d19bc8ceed4 2024-2025 Season / Ticket Information / Privacy Policy Privacy Policy Los Angeles Ballet knows that you care how information about you is used and shared, and we appreciate your trust. The following sets forth our policy regarding the privacy of those who visit Los Angeles Ballet's website. By visiting the Los Angeles Ballet website, you are accepting the practices described in this Privacy Notice. Personal Information Collected by Los Angeles Ballet The information we learn from our visitors and customers helps us personalize and continually improve your experience at our website. Here are the types of information we gather. Information You Give Us: We receive and store any information you enter on our website or give us in any other way with the exception of credit card or banking information. Los Angeles Ballet does not save, store or retain credit card or banking information. You can choose not to provide certain information. We use the information that you provide for various purposes, such as responding to your requests, customizing future offers and purchasing procedures for you, improving our products and services, and communicating with you. Information from Miscellaneous Sources: For reasons such as improving and tailoring our products and services to you, we may use information received from other sources to supplement your account information. For example, we sometimes receive updated delivery and address information from our shippers or other sources to enable us to correct our records and deliver communications or your next order more easily. Sharing of Personal Information We respect our website visitors and customers and their personal information. You are the most important part of our business, and we are not in the business of selling your information to others. We share visitor and customer information only with the subsidiaries and affiliates of Los Angeles Ballet, as described below. Los Angeles Ballet works very closely with our subsidiaries and other affiliated businesses. In some cases, these businesses may provide information or sell products or services or provide information on this website. Relevant visitor or customer information will only be shared with our subsidiaries and affiliates if the visitor or customer, implicitly or explicitly, consents to such disclosure, or if we are compelled by law to do so. We also employ other companies and individuals to perform functions on our behalf, such as processing credit card payments, fulfilling orders, delivering packages, sending regular and electronic mail, removing repetitive information from customer lists, analyzing data, providing marketing assistance and providing customer service. Such companies and individuals have access only to the personal information necessary for performing their functions, but they are prohibited from using it for other purposes. As we continue to develop our business, we might sell or acquire certain assets. In such transactions, visitor and customer information generally is one of the transferred business assets. Also, in the unlikely event that Los Angeles Ballet or substantially all of its assets are acquired, visitor and customer information will be transferred to the acquiring entity. Personal information may be released if necessary to: comply with the applicable law; enforce or apply our Terms and Conditions of Use and other agreements; and/or protect the rights, property or safety of Los Angeles Ballet, our customers and visitors to our website, or others. Personal information may also be exchanged with other companies and organizations for purposes of fraud protection and/or credit risk reduction. Other than as set forth above, you will receive notice when information about you may be shared with third parties, and you will be afforded the opportunity to choose not to share the information. Security for Purchases We work to protect the security of our customers' information during transmission by using Secure Sockets Layer (SSL) software, which encrypts information customers input through our website. It is our customers' responsibility to protect against unauthorized access to their computer and account with Los Angeles Ballet (and, in certain instances, their login and password relating to our website). Customers must be sure to sign off of our website when they have completed their visit. Updating Personal Information You may contact us at any time to update your personal information, to delete your personal information from our systems and/or to notify us of your contact preferences. Simply send us an email at labcontact@losangelesballet.org setting forth your specific request. Conditions of Use, Revisions and Questions If you choose to visit the Los Angeles Ballet website, your visit and any dispute over privacy is subject to this Notice and our Conditions of Use, including limitations on damages, arbitration of disputes and application of the law of the state of California. Please refer to our Conditions of Use for other terms and conditions governing your visit to, and use of, our website. Please keep in mind that businesses and websites evolve over time. This Notice and our Conditions of Use will also evolve, and information that we gather is subject to the Privacy Policy and Conditions of Use that are in effect at the time such information is used by Los Angeles Ballet. Your visit to our website after changes have been made to this Policy constitutes your acceptance of each revised Privacy Policy. Be sure to check our website frequently to view changes to both the Privacy Policy and our Conditions of Use. If you have any questions or concerns about privacy at our website, please send us an email setting forth your question or concern. We will always do our best to answer your question or address your concern. For questions and support, please contact the Box Office at (310) 998-7782 to purchase by phone, Monday through Friday, 12:00pm to 5:00pm. In-person Ticket Sales Group Sales Venues Accessibility Gift Certificates Tax-Deductibe Donations Terms & Conditions of Sales In-house Policies Privacy Policy

  • Los Angeles Ballet Sixth Season to Feature Swan Lake | Los Angeles Ballet

    Los Angeles’ own professional ballet company will premiere Swan Lake, choreographed by the Artistic Directors, after Marius Petipa and Lev Ivanov. Home / News / New Item Los Angeles Ballet Sixth Season to Feature Swan Lake August 11, 2011 LAB Public Relations 2011-2012 Season Kicks Off with The Nutcracker Carpenter and Valley Performing Arts Centers Added to Venue Line-up (Los Angeles, CA) Los Angeles Ballet Artistic Directors Thordal Christensen and Colleen Neary are pleased to announce LAB’s sixth season. Los Angeles’ own professional ballet company will premiere Swan Lake , choreographed by the Artistic Directors, after Marius Petipa and Lev Ivanov. Continuing to reach out to new audiences, LAB will offer performances at the Carpenter Performing Arts Center in Long Beach and the Valley Performing Arts Center in Northridge for the very first time. Once again LAB will kick off its season with the Neary-Christensen choreographed production of The Nutcracker , the city's most enduring holiday tradition. Swan Lake, the company’s fourth full length ballet, (after The Nutcracker , La Sylphide , and Giselle ), will be presented in March 2012, and the 2011-2012 season will conclude in May with NextWave LA , featuring four World Premieres created specifically for LAB by Sonya Tayeh, Josie Walsh, and Stacey Tookey, and one other choreographer to be announced. “Our sixth season reflects LAB’s on-going commitment to celebrating classic ballet as well as showcasing exciting new choreography,” said Christensen. “We are particularly pleased to be extending our audience reach with performances of Swan Lake in Long Beach and Northridge.” “This season will also feature LAB’s first principal dancers, Allyssa Bross and Christopher Revels, and the return of many outstanding members of our company,” added Neary. “We continue to advance the quality of dancing, which is what enables us to present productions ranging from Swan Lake to Next Wave LA .” Los Angeles Ballet is also pleased to announce the formation of Young Professionals, a group of early to mid-career individuals who actively participate in the Los Angeles arts environment through support of Los Angeles Ballet. Young Professionals was launched on July 29th with a social mixer at the Duncan Miller Gallery in West LA. Attendees enjoyed an exhibit of Kim Weston’s new work based on his silver gelatin photographs of ballerinas. A number of LAB dancers were in attendance and a percentage of the gallery’s sales benefitted Los Angeles Ballet. LAB continues to build a repertoire that underscores the creative leadership of its artistic directors, presenting timeless classics as well as innovative choreography from today’s contemporary artists. DOWNLOAD PDF

  • Jasmine Perry – Soloist | Los Angeles Ballet

    Los Angeles Ballet presents a company of outstanding dancers from local communities and around the world. LAB dance artists master classical as well as contemporary techniques. Jasmine Perry Hometown Charlotte, North Carolina Schools The School of American Ballet, Charlotte Ballet (formerly North Carolina Dance Theatre) Companies Los Angeles Ballet 9th Season

  • Los Angeles Ballet's Season5 Gala Celebration | Broad Stage Santa Monica | Los Angeles Ballet

    Together, along with Julie Whittaker, another ballet-world veteran and executive director of LAB, they created a board of directors. Two years of business planning followed before the company gave its very first performance, The Nutcracker, to favorable reviews in 2006. Home / News / New Item Los Angeles Ballet's Season5 Gala Celebration | Broad Stage Santa Monica May 1, 2011 Giselle is a village girl courted by a prince disguised as a peasant. She falls in love with him, but when she finds out his identity -- and that he’s engaged to someone else -- she loses her mind and dies. End of ballet? Not by a long shot. In Act 2, she appears as a spirit newly enrolled in the ranks of the Wilis, night creatures that wreak vengeance on perjured suitors. Giselle resists her new duties and saves her prince. READ ARTICLE AT SOURCE

  • Olivia O’Connor – Director of Development | Los Angeles Ballet

    Available Shortly Home / Staff / Administrator Olivia O’Connor Director of Development Available Shortly

  • Rony Baseman – Company Dancer | Los Angeles Ballet

    Los Angeles Ballet presents a company of outstanding dancers from local communities and around the world. LAB dance artists master classical as well as contemporary techniques. Rony Baseman Hometown South Orange, NJ Seasons with LAB 1 Season with LAB Rony honed his craft at renowned institutions, including Miami City Ballet School (2009-2013), Kirova Ballet Miami (2013-2015), and ABT JKO School (2015-2022), graduating from the latter in 2022. His dedication earned him full merit scholarships at each school, along with the prestigious Agnes Varis Scholarship at ABT JKO (2018-2019). He further refined his skills through intensive training programs at ABT New York Summer Intensive (2015-2022) and Sarasota Cuban Ballet Summer Intensive (2023). Professionally, he performed with The Washington Ballet Company (2022-2024), taking on roles in Such Sweet Thunder (Billy Strayhorn), Serenade-Elegy Man, Theme and Variations, and as the Cavalier of Valor in Sleeping Beauty. In 2024, he joined OBII and performed in Romeo and Juliet, Peter Pan as a lost boy and Lead of the Hunt in Giselle. He also teaches Boys and Adult classes at Westside School of Ballet in Santa Monica, CA.

  • 2013-2014 Season Announcement | Los Angeles Ballet

    Los Angeles Ballet co-artistic directors Thordal Christensen and Colleen Neary are excited to unveil the ballets selected for LAB’s eighth season, including classics from the 19th and 20th centuries, new works from 21st century choreographers, and Southern California’s holiday tradition, The Nutcracker. Home / News / New Item 2013-2014 Season Announcement October 1, 2013 LAB Public Relations The Nutcracker set in 1913 Los Angeles World premieres from Sonya Tayeh and Christopher Stowell • LAB premiere of Jiří Kylián’s Return to a Strange Land LAB premiere of George Balanchine’s Stars and Stripes The full-length La Sylphide George Balanchine’s Serenade Los Angeles Ballet co-artistic directors Thordal Christensen and Colleen Neary are excited to unveil the ballets selected for LAB’s eighth season, including classics from the 19th and 20th centuries, new works from 21st century choreographers, and Southern California’s holiday tradition, The Nutcracker . Continuing LAB’s mission to bring professional ballet to greater LA, each program will be performed at LAB’s four home theaters: UCLA’s Royce Hall, The Alex Theatre in Glendale, Redondo Beach Performing Arts Center, and Valley Performing Arts Center in Northridge. The season opens with Los Angeles Ballet’s full-length The Nutcracker , set in 1913 California in a classic Spanish style home with Mexican, Spanish, and European influences. The story unfolds with a warm and inviting sense of being inside a children’s book, and follows Clara and her beloved Nutcracker as they travel to the Land of Snow and the Palace of the Dolls. In March 2014, Quartet combines masterworks from George Balanchine and Jiří Kylián with new works from rising choreographers Sonya Tayeh and Christopher Stowell. Known for her work on television’s So You Think You Can Dance , this will mark Tayeh’s fourth commissioned work for Los Angeles Ballet. Her ferocious jazz style blended with ballet has brought audiences and critics to their feet. Former Artistic Director of Oregon Ballet Theater and noted choreographer Christopher Stowell will be working with LAB dancers for the first time. Quartet will also include the company premiere of Return to a Strange Land , from master choreographer Jiří Kylián to music by Leoš Janáček, and Stars and Stripes by George Balanchine set to the rousing marches of John Philip Sousa. “The dancers always look forward to working with Sonya. And having seen Christopher’s work on a variety of companies across the nation, we are excited to see what he will be creating on our dancers,” Mr. Christensen explained. “We think works from these two young dancemakers will fit well with Jiří Kylián’s beautiful, elegiac ballet and Balanchine’s stirring valentine to his adopted country.” May/June 2014 pairs the rapturous two-act story ballet La Sylphide with Balanchine’s romantic Serenade. Some- times described as the Danish Giselle , La Sylphide recounts the tale of a Scotsman enamored of an entrancing woodland sprite, a sylph, and the poisonous interference of a witch, with tragic results. The program also includes Serenade , unquestionably one of Balanchine’s most popular and beloved ballets. Set to Tchaikovsky’s Serenade for String s, the ballet evokes a moonlit world of romantic attraction and betrayal. Colleen Neary says, “La Sylphide and Serenade are two of the most romantic and, some say, most tragic ballets choreographed – the former with a story and the other without a literal one. There is a deep spiritualism to both.” About Los Angeles Ballet Founded in 2004 by Artistic Directors Thordal Christensen and Colleen Neary, and Executive Director Julie Whittaker, Los Angeles Ballet is known for its superb stagings of the Balanchine repertory, stylistically meticu- lous classical ballets, and its commitment to new works. LAB has become recognized as a world-class ballet company, presenting 21 productions encompassing 43 works, including 13 commissioned world premieres. Los Angeles Ballet ‘tours’ throughout LA County, regularly appearing at five venues. This past summer the Los Angeles Music Center presented Los Angeles Ballet at Grand Park, with 4,000 attending the outdoor performance on the July 4th weekend. Since its inception in 2006, LAB’s Power of Performance (POP!) program has provided thousands of free tickets to underserved or disadvantaged children, seniors, veterans, and their families. LAB’s A Chance to Dance Community Days outreach program was launched in October 2012. About Thordal Christensen Among Thordal Christensen’s many credentials are an impressive performing career, successful leadership of one of the world’s major ballet companies, critically applaudedoriginal choreography, and a proven commit- ment to dance education. Born in Copenhagen, Denmark, Christensen received his ballet training at The Royal Danish Ballet School and at the School of American Ballet in New York City before a performance career that included the Royal Danish Ballet, New York City Ballet, and Pacific Northwest Ballet. Christensen then returned to Denmark where he was Artistic Director of the Royal Danish Ballet. This blend of Bournonville and Balanchine tradition is one of the defining themes of his career, and has shaped the unique artistic vision that Christensen, along with his wife Colleen Neary, bring to Los Angeles Ballet. In 2002, he was made Knight of the Dannebrog by Queen Margrethe II of Denmark. About Colleen Neary Colleen Neary brings to Los Angeles Ballet the benefits of her vast experience as one of George Balanchine’s quintessential ballerinas. In her experience as a dancer, teacher, and ballet mistress, she also worked closely with other luminaries of 20th century dance, including Rudolf Nureyev, Maurice Béjart and Jiří Kylián. Born in Miami, Florida and trained at The School of American Ballet, Neary danced in New York City Ballet under the direction of George Balanchine, then for Maurice Béjart’s Ballet du XXième Siecle, and Pacific Northwest Ballet. Neary was personally selected by Balanchine to teach his choreography to major companies all over the world as a repetiteur for The George Balanchine Trust. DOWNLOAD PDF

  • L.A.'s ballet: A hard nut to crack but ballet duo is determined to do it | Los Angeles Ballet

    Los Angeles has been a hard nut to crack, but ballet duo Thordal Christensen and Colleen Neary are determined to do it. The husband and wife team are staking their reputation and their supporter's money on a new Los Angeles Ballet that will be unveiled in December. Home / News / New Item L.A.'s ballet: A hard nut to crack but ballet duo is determined to do it November 17, 2006 Pasadena Star-News by Vicki Smith Paluch Los Angeles has been a hard nut to crack, but ballet duo Thordal Christensen and Colleen Neary are determined to do it. The husband and wife team are staking their reputation and their supporter's money on a new Los Angeles Ballet that will be unveiled in December – their Christmas present to the sprawling county's dance lovers. View PDF to read the full article. DOWNLOAD ARTICLE (PDF)

  • The Nutcracker 2017

    The Nutcracker 2017 Prodigal Son – Balanchine / Prokofiev Mackenzie Moser LAB Ensemble Petra Conti LAB Ensemble Mackenzie Moser & LAB Ensemble LAB Ensemble Jasmine Perry & Joshua Brown LAB Ensemble LAB Ensemble Bianca Bulle & LAB Ensemble Petra Conti & Tigran Sargsyan Mackenzie Moser & LAB Ensemble Mackenzie Moser LAB Ensemble Petra Conti LAB Ensemble Mackenzie Moser & LAB Ensemble LAB Ensemble Jasmine Perry & Joshua Brown LAB Ensemble LAB Ensemble Bianca Bulle & LAB Ensemble Petra Conti & Tigran Sargsyan Mackenzie Moser & LAB Ensemble Mackenzie Moser LAB Ensemble Petra Conti LAB Ensemble Mackenzie Moser & LAB Ensemble LAB Ensemble Jasmine Perry & Joshua Brown LAB Ensemble LAB Ensemble Bianca Bulle & LAB Ensemble Petra Conti & Tigran Sargsyan Mackenzie Moser & LAB Ensemble Previous Gallery All photos by Reed Hutchinson Click on image for a fullscreen presentation. Next Gallery

  • Season 2009-2010

    Season 2009-2010 George Balanchine Lucy Van Cleef in George Balachine's 'Serenade'; Photo: Reed Hutchinson George Balachine's 'Serenade'; Photo: Reed Hutchinson Andrew Brader in George Balachine's 'Serenade' Monica Pelfrey & Melissa Barak in George Balanchine's 'Serenade' Monica Pelfrey & Zheng Hua Li in George Balnchine's 'Tchaikovsky Piano Concerto No. 2' Grace McLoughlin & Zheng Hua Lo, and Endsemble in George Balnchine's 'Tchaikovsky Piano Concerto No. 2' George Balnchine's 'Tchaikovsky Piano Concerto No. 2' Grace McLoughlin, Melissa Barak, and Ensemble in George Balnchine's 'Kammermusik Piano Concerto No. 2' George Balnchine Drew Grant & Grace McLoughlin in George Balnchine's 'Kammermusik Piano Concerto No. 2' Chelsea Paige Johnston & Chehon Wespi-Tschopp in 'Wink' by Mandy Moore Mandy Moore Chelsea Paige Johnston & Chehon Wespi-Tschopp in 'Wink' by Mandy Moore Monica Pelfrey & Zheng Hua Li in "Reflect. Affect. Carry on...' by Travis Wall Alexander Forck, Chelsea Paige Johnston & Craig Hall in "Reflect. Affect. Carry on...' by Travis Wall Josie Walsh Josie Walsh Andrew Brader in 'Transmutation' by Josie Walsh Josie Walsh Grace McLoughlin in 'The Back and Forth' by Sonya Tayeh Kate Highstrete & Andrew Brader in 'The Back and Forth' by Sonya Tayeh Christensen/Neary Helena Thordal-Christensen in 'The Nutcracker' by Christensen/Neary Harrison Coll and Helena Thordal-Christensen in 'The Nutcracker' by Christensen/Neary Previous Gallery All photos by Reed Hutchinson Click on image for a fullscreen presentation. Next Gallery

  • First Seattle Tour | Los Angeles Ballet

    La Sylphide plus George Balanchine’s Serenade Home / News / New Item First Seattle Tour May 1, 2014 LAB Public Relations La Sylphide plus George Balanchine’s Serenade June 27, 2014 McCaw Hall, Seattle Center Performances to include: The full-length romantic story ballet La Sylphide, choreographed by Thordal Christensen after August Bournonville George Balanchine’s SerenadeLos Angeles Ballet Co-Artistic Directors Thordal Christensen and Colleen Neary are excited to announce that the company will be touring out of California for the first time, presenting La Sylphide and Serenade to Seattle, Washington audiences June 27, 2014, at McCaw Hall at Seattle Center. This will immediately follow LAB’s tour of the same production throughout Los Angeles County.Christensen and Neary are thrilled to be bringing their first touring production to Seattle, as it is where their partnership was created – both onstage and off. Christensen and Neary were Principal Dancers for Pacific Northwest Ballet (PNB) from 1986 through 1992, dancing in ballets by Kent Stowell, Clark Tippett, Glen Tetley, George Balanchine, Lynn Taylor Corbett, José Limón, and Lar Lubovitch, as well as classics like Swan Lake. Christensen and Neary married in 1987, with PNB Founding Artistic Directors Kent Stowell and Francia Russell as their witnesses. Stowell and Russell provided Christensen and Neary with critical inspiration to eventually launch Los Angeles Ballet. “We danced at PNB in an enormous growth period for that company, during a creative time when it began to tour to Hawaii, the Kennedy Center in Washington, DC, Los Angeles, and other major cities,” says Neary. It was this creative spark and strong partnership between Christensen and Neary that led to the formation of Los Angeles Ballet, and their connection to PNB that makes Seattle the ideal choice for LAB’s first out-of-state tour. LAB’s La Sylphide was debuted in 2009 with choreography by Christensen after the original 19th century ballet by Danish choreographer August Bournonville. “Los Angeles Ballet’s performances in 2009 were exemplary, among the finest achievements in the company’s history,” said Lewis Segal in his recent LA Times article, ‘Faces to Watch 2014.’ At McCaw Hall at Seattle Center, the two-act story ballet La Sylphide will be paired with George Balanchine’s romantic Serenade. La Sylphide, sometimes described as the Danish Giselle, recounts the tale of a Scotsman enamored of an entrancing woodland sprite (a sylph) and the poisonous interference of a witch, with tragic results. Serenade is unquestionably one of Balanchine’s most popular and beloved ballets. Set to Tchaikovsky’s Serenade for Strings, the ballet evokes a moonlit world of romantic attraction and betrayal. Colleen Neary says, “La Sylphide and Serenade are two of the most romantic and, some say, most tragic ballets choreographed – the former with a story and the other without a literal one. There is a deep spiritualism to both.” About Los Angeles Ballet Founded in 2004 by Artistic Directors Thordal Christensen and Colleen Neary, and Executive Director Julie Whittaker, Los Angeles Ballet is known for its superb stagings of the Balanchine repertory, stylistically meticulous classical ballets, and its commitment to new works. LAB has become recognized as a world-class ballet company, in eight seasons presenting 24 productions encompassing 50 works, including 15 commissioned world premieres. Los Angeles Ballet ‘tours’ throughout LA County, regularly appearing at four venues. This past summer the Los Angeles Music Center presented Los Angeles Ballet at Grand Park, with more than 3,000 attending the outdoor performance. Since its inception in 2006, LAB’s Power of Performance (POP!) program has provided thousands of free tickets to underserved or disadvantaged children, seniors, veterans, and their families. LAB's A Chance to Dance Community Days outreach program was launched in October 2012. About Thordal Christensen Among Thordal Christensen’s many credentials are an impressive performing career, successful leadership of one of the world's major ballet companies, critically applauded original choreography, and a proven commitment to dance education. Born in Copenhagen, Denmark, Christensen received his ballet training at The Royal Danish Ballet School and at the School of American Ballet in New York City before a performance career that included the Royal Danish Ballet, New York City Ballet, and Pacific Northwest Ballet. Christensen then returned to Denmark where he was Artistic Director of the Royal Danish Ballet This blend of Bournonville and Balanchine tradition is one of the defining themes of his career, and has shaped the unique artistic vision that Christensen, along with his wife Colleen Neary, bring to Los Angeles Ballet. In 2002, he was made Knight of the Dannebrog by Queen Margrethe II of Denmark. About Colleen Neary Colleen Neary brings to Los Angeles Ballet the benefits of her vast experience as one of George Balanchine's quintessential ballerinas. In her experience as a dancer, teacher, and ballet mistress, she also worked closely with other luminaries of 20th century dance, including Rudolf Nureyev, Maurice Béjart, and Jiří Kylián. Born in Miami, Florida and trained at The School of American Ballet, Neary danced in New York City Ballet under the direction of George Balanchine, then for Maurice Béjart's Ballet du XXième Siecle, and Pacific Northwest Ballet. Neary was personally selected by Balanchine to teach his choreography to major companies all over the world as a repetiteur for The George Balanchine Trust. DOWNLOAD PDF

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